Except that here, we are not resolving to EbMaj7. Nothing extraordinary so far: Fm7 - Bb7 looks like an usual ii-V in Eb. In the key of C, Bb7 may be preceded by Fm7. It basically works as a short-cut: straight back into the I Chord!!!Īs it is the case with most dominants, bVII7 is often preceded by its related iim7 chord. Our bVII7 chord has a clearly-defined purpose in life: after a temporary modulation (usually to the IV, and sometimes to the ii) the bVII7 chord will take us back to the original key. It is borrowed from the parallel key of C minor (bVII being the 7th degree of C Natural Minor). If we are in the key of C, the bVII7 chord is Bb7. ![]() In a Major key, bVII is just a half-step below vii. ![]() Simply that the bVII7 chord is nothing more than a Dominant chord (7) that is built on the bVII degree of the key (Flat Seven aka the Subtonic). Relax! The name is actually more intimidating than the chord itself! So let's see: what is that unfriendly sounding name trying to tell us?
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